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The Perfect American, by Peter Stephan Jungk
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The Perfect American is a fictionalized biography of Walt Disney's final months, as narrated by Wilhelm Dantine, an Austrian cartoonist who worked for Disney in the 40s and 50s, illustrating sequences for Sleeping Beauty. It is also the story of Dantine himself, who desperately seeks Disney's recognition at the risk of his own ruin.
Peter Stephan Jungk has infused a new energy into the genre of fictionalized biography. Dantine, imbued with a sense of European superiority, first refuses to submit to Disney's rule, but is nevertheless fascinated by the childlike omnipotence of a man who identifies with Mickey Mouse. We discover Walt's delusions of immortality via cryogenic preservation, his tirades alongside his Abraham Lincoln talking robot, his invitation of Nikita Khruschev to Disneyland once he learns that the Soviet Premier wants to visit the park, his utopian visions of his EPCOT project, and his backyard labyrinth of toy trains. Yet, if at first Walt seems to have a magic wand granting him all his wishes, we soon discover that he is as tortured as the man who tells his story.
After Disney refuses to acknowledge Dantine's self-professed talent and hard work, he fires the frustrated cartoonist for writing, along with other staff members, an anonymous polemical memorandum regarding Disney's jingoistic politics. Years later, in the late 60s, still deeply wounded by his dismissal, Dantine follows Disney's trail to capture what makes Walt tick. Dantine wants us to grasp what it is like to live and breathe around the man who thought of himself as more famous than Santa Claus. Walt's wife Lillian, his confidante and perhaps his mistress Hazel, his brother Roy, his children Diane and Sharon, his close and ill-treated collaborators, and famous figures such as Peter Ustinov, Salvador Dali, Andy Warhol, and Geraldine Chaplin, all contribute to the novel's animation, its feel for the life of the Disney world.
This deeply researched work not only provides interesting interpretations of what made Walt Disney a central figure in American popular culture, but also explores the complex expectations of gifted European immigrants who came to the United States after World War II with preconceived notions of how to achieve the American dream.
- Sales Rank: #1393111 in eBooks
- Published on: 2012-12-04
- Released on: 2012-12-04
- Format: Kindle eBook
From Booklist
Did the man who created Mickey Mouse really have a strong, racist hostility for African Americans or an almost McCarthy-esque hatred of Communism? According to Wilhelm Dantine, narrator of this fictionalized biography of Walt Disney's final years, these and other dark traits fill out the true character of the great cartoonist, making the title The Perfect American an ironic, backhanded slap at Disney's legacy. Yet Dantine, a former Disney studio animator with an admitted "dependency on a drug called Walter Elias Disney," is himself a tortured man and on a lifelong mission to avenge his premature firing after he made major contributions to the classic Snow White and the Seven Dwarfs. In a scene worth the book's price, Dantine finally confronts Disney with his planned tirade of accusations, and the results completely surprise him. At turns fascinating and comical, Jungk's novel hews so closely to well-researched biographical data that the line between fact and fiction often becomes blurred. An interesting companion piece to existing Disney biographies, one that may start readers searching for the real Walt. Carl Hays
Copyright © American Library Association. All rights reserved
Review
"a surreal, meditative, episodic account of the last days of Walt Disney." -The New York Times
About the Author
Peter Stephan Jungk
Peter Stephan Jungk was born in Los Angeles, raised in several European cities, and now lives in Paris. A former screenwriting fellow of the American Film Institute, he is the author of eight books, including the acclaimed biography Franz Werfel: A Life from Prague to Hollywood (1990) and the novels Tigor (Handsel Books, 2004), a finalist for the British Foreign Book Award, and The Perfect American (Handsel Books, 2004), a fictional biography of Walt Disney's last months, which had its premiere as an opera by Philip Glass at Madrid's Teatro Real in January 2013.
Michael Hofmann
Michael Hofmann has translated Bertolt Brecht, Joseph Roth, Patrick S, Herta Mueller, and Franz Kafka. He won the Translators' Association's Schlegel-Tieck Prize twice in 1988 for his adaptation of The Double Bass by Patrick S (1987), and in 1993 for his rendering of Wolfgang Koeppen's Death in Rome (1992). In 1999 he won the PEN/Book of the Month Club Translation Prize for The String of Pearls. His translation of his father's novel The Film Explainer, by Gert Hofmann, won the Independent Foreign Fiction Prize in 1995. He has written and translated more than 35 books, winning eight awards for his translations and his poetry.
Most helpful customer reviews
7 of 8 people found the following review helpful.
True to Life
By Avedon if only
I was surprised to read the negative reviews of this book because although I never met Disney I have several friends who worked closely with him in the planning and development of both the Anaheim and Orlando theme parks, and their accounts of working with Walt match very closely with the portrait in Jungk's novel. According to my friends, and Jungk's protagonist mentions this many times, Disney had an uncanny ability to bring out the best from his creative teams - and each member of those teams felt that he had done the best work of his life while working for Walt. They also shared his passion for the theme parks and described how Walt would often wander around Anaheim, grinning happily after several whiskies, enjoying the crowds and signing his autograph which indeed was nothing like the graphic designer 'official' signature. They also mention his irrational dislike of facial hair and his dictate that the summer band leader (who for the rest of the year had a moustache) must shave - even though the band leader was a man in his fifties. Walt ordered a moose head to be hung in the executive dining room which could talk unexpectedly - thus causing considerable delight to his guests - but also had installed a recording system in the same room to eavesdrop on his executives and guests. Walt Disney was a complex genius, with flaws and foibles that are part of the entire man and I think that Jungk's book is a legitimate portrait of a part of his life. It's also a very well-written book with a unique perspective and I recommend it highly.
1 of 1 people found the following review helpful.
Not Dissing Disney
By stanley walden
A sideways look at an American icon, through the eyes of an underling. And Disney does not emerge as a monster, but a complicated, gifted, driven populist.
20 of 31 people found the following review helpful.
Sloppy
By R. Burnett
After reading just the first few pages of this book, all I can say is sloppy! "Walt" compares himself to a Weeble toy, but they were not introduced until 1971, years after his death. The room next to his office, where he would spend time with Hazel George at the end of his work day is refered to as his "laughing room," when in fact, it was his "laughing place," a reference to the film "Song of the South." Whether these mistakes are the writer's or translater's fault is hard to clarify, but for a person whose life was as well-documented as Walt Disney's, these sort of errors are inexcusable, even in a work of ostensible fiction.
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