Free Ebook Complete Works for Solo Keyboard (Dover Music for Piano), by Jean-Philippe Rameau, Classical Piano Sheet Music
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Complete Works for Solo Keyboard (Dover Music for Piano), by Jean-Philippe Rameau, Classical Piano Sheet Music
Free Ebook Complete Works for Solo Keyboard (Dover Music for Piano), by Jean-Philippe Rameau, Classical Piano Sheet Music
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A contemporary of Bach, Handel, Scarlatti, and Telemann, Jean-Phillipe Rameau (1683–1764) was a notable theorist and innovator and the preeminent French composer of his day. The depth and power that characterize his music are in ample evidence in this volume of all 63 of Rameau's works for keyboard, published between 1706 and 1741, including such well-known pieces as "Musette en Rondeau," "Tambourin," "Les Niais de Sologne," "Les Cyclopes," and "La Poule." The music is reproduced here from the important and well-produced edition of Rameau's keyboard works edited by Camille Saint-Saëns. Because the composer attempted to use his keyboard as a sustaining instrument, these pieces lend themselves especially well to performance on modern pianos. Now today's musicians can enjoy Rameau's complete oeuvre for solo keyboard in this inexpensive high-quality edition.
- Sales Rank: #813801 in Books
- Brand: Dover Publications
- Model: 06-278476
- Published on: 1994-03-02
- Released on: 1994-03-02
- Original language: English
- Number of items: 1
- Dimensions: 12.17" h x .30" w x 9.33" l, .92 pounds
- Binding: Paperback
- 144 pages
- Manufactured to the Highest Quality Available.
- With True Enhanced Performance.
- Latest Technical Development.
Most helpful customer reviews
12 of 13 people found the following review helpful.
A treasure to have in my collection
By Etherealnate
How revolutionary Rameau is. Surely he was writing music without any kind of agenda and so his ideas shine without adulteration. This edition of his complete works for keyboard is a joy to own. If I could only have one book of music this would be it. I say this as a pianist. This is important because if I were to play this music on a harpsichord it would be unsatisfying and almost incorrect. It is clearly edited with the piano and it's sustaining abilities in mind. Saint-Saens edited this music and has romantic influence in his editing. I don't think the purist would like this edition very much. The ornamentation is handled with much liberty but only to more suit the piano. If you're a musician who plays everything and thinks you have heard it all you're in for a surprise when you play this music. Just when you think Rameau has started to settle into a typical, lifeless, established baroque styling of a motif he comes out of nowhere with such shocking revelation that you aren't sure what century the music came out of exactly; questioning if you're actually playing a French baroque composer or Scarlatti or Beethoven or Bach or some neo-baroque composer. It is best to not assign any labels to this music and just play it. It will speak directly to your musicality and emotional sense and provide a great deal of joy and satisfaction. You will wonder why you haven't been playing this music sooner or why no one is talking about it. My recommendation is when you first get this music, play the Sarabande on pg. 66 first. Those arpeggios are to die for and it speaks for the taste of the entire book, not to mention those brave and lush harmonies. You will instantly be hooked. Claude Debussy said "Rameau is the greatest french composer ever to live" and I agree. Rameau's music is all gold, no filler. You need to own this book.
0 of 2 people found the following review helpful.
The music is beautiful. But the e-book presentation is so small I had to buy reading glasses.
By Estinea Marwiz
Beautiful music and an historical feast for the ears. But the music appears to be presented as graphics images. One image corresponding with each page of sheet music. The problem is that it displays a full page in each e-reader page turn and these, then, are very SMALL compared to a normal sheet music presentation. For best results, I need to put the device into portrait disposition. But even then, it's quite a struggle to read many of the notes, especially the accidentals applied to appogiaturas. These are just about impossible to see. I've never used reading glasses before. But with the purchase of this book, I had to go out and buy a pair. Only with the reading glasses am I able to see that the accidental at top of 2nd page is in fact a 'natural' mark.
3 of 13 people found the following review helpful.
Rameau is the apex of the french keyboard tradition.
By A Customer
Rameau is the apex of french harpsichord music. He has an excellent mastery of chromatisism offset by a firm grasp of counterpoint.His music reflects a wide variety of styles,from a Couperinesque simplicity to an almost Bachian complexity.he often incorperates folk-like melodies,and elaborates them in a form of consumate mastery, bringing them up from their humble beginings and transforming them into works of consumate mastery. he is the fully worhty developement of three hundred years of french musical advancement,and certainly the successor to all the genius therin.
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